Autorka: Alexandra Anzid Kollárová

On Representation, Cultural Appropriation and The Ethics of Artistic Collaborations in The Postcolonial Context of Morocco presents an ethnographical textual output which aims to critically examine the role of Western and Westernised cultural actors and institutionalised structures in which expertise on non-Western art production is embedded. It follows the ‘recent’ dynamics in the field of Moroccan visual art production in situ as witnessed between the years 2017 and 2020, but doesn’t follow the present arrangements as an objective, rather, it looks back into the historical context of original power components and hegemonic colonial structures. The author argues that it is ‘the past’ that significantly co-creates ‘the present’ as if on the old remnants the whole new foundation is being built.

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